See the sections Freeze a frame and Export a still image in the Premiere Pro CS4 Help. Adobe Premiere Pro is a Fandom Lifestyle Community. How do you freeze a frame in Premiere Pro? Adobe Premiere Pro repeats one frame from the previous. This tutorial will show you how to do a frame hold on a video clip in Adobe Premiere pro. Freeze Frame in Adobe Premiere Pro. Video School Online teaches you to create a freeze frame using Adobe Premiere Pro. Freeze frame tutorial using the. How to Create a Freeze Frame in Adobe Premiere Pro. ![]() How To Freeze Frame In Adobe Premiere Pro CcExporting a single frame via the Export Frame function. Adobe Premiere Pro CS5 has a new, simplified workflow for exporting single frames. Adobe Premiere Freeze Frame. Creating a Freeze Frame in Final Cut Pro. Now you have the basics of creating a freeze frame within Adobe Premiere. Speed Ramps & Freeze Frames in After Effects. 3 Approaches for Time-Remapping in Adobe Premiere Pro. Tehnik Memfreeze Frame Dengan Adobe Premiere Pro 2.0. Exporting Frames, Clips, and Sequences in Adobe Premiere Pro CS5 > Getting started. Note: This excerpt does not include the lesson files. The lesson files are available with purchase of the book. Adobe Premiere Pro CS5 offers a full array of export options—methods of recording your projects to tape, converting them to. DVDs. For example, you can record only the audio. You’ll use that powerful. CDs, or for exporting to mobile devices using. Adobe Device Central CS5 software. If you need to create Flash Video for web sites, you can export Flash Video with. Adobe Media Encoder is a stand- alone application that handles exports in batches, so you can export in several. Adobe Premiere Pro. Corel Video. Studio Ultimate X9 Review & Rating. Just when you thought it was no longer possible to add new tools and effects to enthusiast- level video- editing software, companies think up something new. And then, of course, the competition has to play catch up. Since my last review, Corel has added features to Video. Studio that have already appeared in some, though not all, of its competitors. New capabilities include multicam editing, multi- point motion tracking, freeze- frame, video masking, audio ducking, Windows 1. K hardware acceleration. Corel Video. Studio X9 remains a great product that can make your video look better than ever, and it's a PCMag Editors' Choice for enthusiast video editing. Pricing and Starting Up. Video. Studio runs on Windows 1. Windows 8, and Windows 7, and the versions for 6. OSes are highly recommended. The product is available at two levels: Pro ($7. Ultimate ($9. 9. 9. I review here. The higher- end option adds effects from Pro. DAD, New. Blue, and Boris, lets you use six multicam tracks (as opposed to four for Pro), and can import XAVC (Sony 4. K) content. By comparison, Power. DVD doesn't limit the number of multicam tracks even in its lower- cost version, but only lets you edit four at a time. The more consumer- oriented Adobe Premiere Elements 1. Cyber. Link Power. Director Ultimate 1. To get the Video. Studio software online, you first download a downloader app, which downloads and installs the not- puny 1. GB application. For comparison, Power. Director weighs in at just under 1. GB, while Premiere Elements takes up a whopping 3. GB of disk space. Maybe that's not such a big deal these days, though: You'll need a pretty big hard disk if you want to do hi- res video editing, especially for work in 4. K (which even the current i. Phone can shoot). Interface. Video. Studio X9's pleasing dark gray interface uses the familiar three- pane view with source and effects and video preview each occupying half the top portion of the window and the timeline taking the whole bottom portion. I like how icons in the source panel make it easy to show and hide video, photo, and audio content types. Clear buttons on the right side of the content window give access to often- needed tools, such as transitions, titles, and effects. Video. Studio lets you resize and move the panels, and you can even pull them out into separate windows. You can also set three custom interface layouts and easily switch among them. The interface approach of Video. Studio is modal: Three main modes govern all your actions—Capture, Edit, and Share. I like this interface design because it guides you through the workflow process of adding, editing, and outputting your digital movie. The modes are accessible from prominent buttons that are always visible at the top of screen. It's not much different from previous recent versions of the app, but it works well, so why change it? New Editing Features. Multicam Editing. The biggest new feature in Video. Studio is multicam editing. This lets you switch among camera angles shot at the same time of the same event. It's a feature more associated with pro- level video editors such as Apple Final Cut Pro X. You need to select clips first and then enter the separate multicam editing window to get started. The program can align the clips by audio automatically, or use markers or time codes. In my testing, the multicam tool did a good job of syncing up two clips using their audio tracks. I then created an angle- switching video easily by tapping the clip previews in the four- pane source panel. Within the multicam window, you can edit your multicam movie by extending or shortening an angle entry in the top timeline, but once you hit OK in the bottom of this window, the multicam is a new clip in your main source panel, and you can no longer adjust subclip durations, as you can in other apps, such as Power. Director. Multipoint Motion Tracking. Video. Studio was the first consumer video editor to include motion tracking, which lets you attach an object, text, or effect to something that moves in your video. Think of the obscured license plates or naughty bits, or just adding a caption that moves along with someone. Simply select a clip in the timeline, tap the Track Motion button to open the Track Motion window, and place the cross- hairs over your moving person or object. You can add multiple items to track, and select either a point, a rectangular area, or multipoint sources to track. The last option, which is new, automatically resizes the effect or overlay object as the source changes size. So, in my sample I selected points for a bike's axle, the rider's head, and body, and then hit the Track button. The tool creates paths for each of the tracked points, and you can move the ends of the paths marked by red dots. You can also save the paths and name them. If no objects block your moving object, the tracking works just right. The tool itself lets you apply mosaic effects, but to add overlay text or graphics, you need to use the separate Match Motion tool. Once you get past the complex dialog, this impressive tool works as advertised. Freeze- Frame. This is one features that other apps like Premiere Elements have had for a while. And Video. Studio's Freeze- Frame feature is pretty basic by comparison: You simple scrub to the spot you want to freeze, choose Freeze- Frame from the Edit menu, and a windows with just two options pops up—how long to freeze and whether to split audio. The latter stops audio on other tracks during the freeze. By comparison, Premiere Elements and Power. Director let you add additional cool effects such as reverse and then forward and slo- mo. Audio Normalization and Ducking. Video. Studio has improved audio tools for normalizing and ducking sound levels, and also now offers audio filters right alongside video effects in the source panel. Normalize lets you even out audio level among multiple clips, and ducking lowers background audio during narration. You can now fine- tune the lead in and out for ducking in Video. Studio. Importing and Organizing Video Clips The Capture mode, which you enter by clicking the large Capture button at the top, lets you record from a connected camera, scan a DV source, and import from Digital Media or a mobile device. Getting media into Video. Studio is simple, but, once it's there, the app offers no tagging or search capability like you get with Adobe Premiere Elements. This can make finding a clip troublesome at times, as can the interface's lack of a search box for clips or effects. You can, however, sort source content by name, type, or date. And I like how the buttons make it easy to view just video clips, just photos, just music, or any combination of those you like. Fast. Flick. Fast. Flick is separate program for simple, quick- and- dirty digital movie creation. You can start it from its own desktop icon or from the full program's Tools menu. It's also available as a standalone product for $1. You start by choosing a template—there are only four preinstalled, with more on Corel's site. You can also now create your own. One template applied the nifty effect of turning my video back and forth from a sketch look. This feature is only partially touch friendly, and it didn't let me use the on- screen keyboard in my testing. Text tiles and background music are customizable, though if the template you choose doesn't already have titles, you can't add them. I like the slider that adjusts the relative volumes of the clip audio and background music. When you're done, a button optionally takes you to the full editor, or you can produce your video in a variety of standard file formats or share it online. Video Corrections, Transitions, and Effects Corel Video. Studio offers over 1. D, peels, pushes, and stretches. Adding them to the timeline is a very simple drag- and- drop operation. If you drag a clip to overlap its neighbor, the default transition is inserted. In my test movies, the transitions were smooth and well rendered. Video. Studio's text tool is very capable, letting you choose among 3. You can customize these by font, size, duration, rotation, and more. You can then save your new style as a preset. Seventy- eight special effects can jazz up your clips with things like diffuse glow, mosaic, and water flow. Among these effects, too, are image- correction tools such as anti- shake, color balance, noise reduction, and light enhancement. The anti- shake worked well, even on 4. K footage, though it doesn't show you progress the way Premiere Elements does. As in any high- end video editor, you can set any effects on and off with key frames, and Corel provides a nice separate window with side- by- side original and preview views for working with these. Adding montage layer tracks is extremely intuitive: You just add an overlay track with the track manager and drag the new content into it. A picture- in- picture appears in the middle of the preview window, and you can resize and drag this around. As with all the current competiting editors (except Power. Director), previewing a movie with four simultaneous tracks is less than perfectly smooth. The app's chroma- keying tool did a decent job of cutting out a green- screen background in my test clip, especially when using its color dropper tool. Finally, the Graphic tool lets you add solid colors, objects, frames, and even Flash animations like a spinning globe to your movies, for extra bling. Springing for the Ultimate Edition of Video. Studio X9 ($9. 9. New. Blue, Boris FX and pro. DAD. These let you do things like really refine the colors, giving your movie the look of a Hollywood production; add handwritten- looking text; and perform advanced image correction and stabilization. Audio. One of the buttons above the timeline is for the Sound Mixer. This opens audio controls that show a surround- sound diagram of a room with speakers.
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